29 October 2010

Keep it together

15 October 2010

Hold on

Just because this makes me smile. (:

14 October 2010

Thoughts on a rainy Thursday

Just a few thoughts, freeflowing, something to come back to:

I am 23. Things are starting to gain a strange type of momentum now, the kind that I wish I could control, but which -- inevitably -- I can't. That's what real momentum is, though. So maybe what I was experiencing before was but a wayward tug. This is true release, I think, what I've needed to have all this time but couldn't. I scramble about so much in my daily life, trying to balance a set of priorities and people that just ask for too much of my attention and responsibility. And not to say that I don't genuinely care about each and every one of these pieces of my life -- but Mom knows best (and somehow she always gets the timing just right) -- in saying that I can't have everything.

Grab for too much and you risk losing what you already have.

And maybe that's a generational thing -- I'm not sure. But I've been raised to expect the world, to reach for the stars, to -- any number of trite sayings to fill in the blank, phrases that tell of pushing limits, expanding, growing, breathing. And I've always believed that the only person standing in the way of your success (however you might define that) -- is you. Just. You.

What most everyone wants and needs in life is not material. This much I know. The pursuit of happiness, that's something more tangible to me than chasing money. Money -- it's a concept. It's paper. It's the luxury and the status and the illusion of exclusion that's appealing. All because, really, those ideas are so tied up in the concept of happiness. It's become assumed that money will act as a catalyst for better things. A push in the right direction.

And so when I sat in a cab, homeward-bound, at 5:30 in the morning earlier today (yikes), heading home from work as the rest of the city shook itself awake, I had an epiphany. I need to once again embrace this feeling of trust that I can't control my circumstances, but I CAN control what I make of it. In a world of stumbled-into, accidentally-met happenstance, I want to know that after an initial push, I have to let things be. Steer, but only when I need to.

The one area of my life that I am wholly in control of is my mind, my mentality, my hyper-awareness of my own thoughts. I think I need this jolt of irregularity, strange schedule, a weird kind of isolation, in order to really see what I value and where I put in my time and effort.

My days are so much longer now. I wake up on my own accord, spend time with myself, my body (hello, gym and yoga) and my mind (hey now, NYTimes) because I know that this entire experience will make me that much mentally stronger. So much of society today is cast in a glow of interactions, outside reinforcements, chasing signs that we're okay, and I want to look deeper into that.

We bump into people, update our status feeds and blog about our days because it means that we're alive, that someone out there will think of us, talk about us, remember us.

I was once told that humans are born with one fear -- a fear of falling. This was meant in the literal sense, about the kind of falling that endangers our lives and develops into a fear of heights and vertigo. But in a broader sense, fear of falling means fear of failing, of tumbling from the social consciousness.

We blog because we want to stay relevant. We tweet because we want to reach out -- listen to me, see me, hear me. This is what I want to share with the world.

But what happens when the world stops listening? Radio silence.

What happens then?

If a tree falls in a forest and no one is around to hear or see it fall, has anything really happened?

We focus externally, look outward because sometimes (most of the time) that's so much easier. I want so much out of life, but I really want, more than that, to know why. Why am I constantly filling my days answering emails, meeting up with aquaintances, blogging (HA) about my thoughts to an anonymous audience?

Solitude will be my best learning tool.

It's easy to get lost in New York City. But last night/this morning, as I glanced over my shoulder at bedroom lights flickering on in high rises as I crossed the bridge, people starting the day just as I was about to end it, I felt found. Their dawn is my dusk. My reality is only, really, in my head. And I was very much aware that I was coming home -- on my own terms.

04 September 2010

Inside. Out.

There's this very big concept that you learn to navigate as you grow up, known as "inside vs. outside." I mean this in the sense of not just "indoor voices" vs. "outdoor voices" -- though, also an important thing to know when you're older -- but also in the sense of who is in your inner circle and who is in your outer.

Complete strangers: outer.

Family: inner.

Friends: this is where it gets tricky. Your closest childhood friends you pretty much regard as family, and therefore, it's pretty safe to say that they're inner. But friends of friends, former friends of friends, exes, frenemies -- the list of layered friendships goes on and on. And determining whose side to take in an argument or whose relationship takes "priority" over another is just a bad situation to be in. But it happens.

And sometimes in the process of trying to sort that out, you start to wonder about everyone else's onion-like relationship layers. Where do you fall and how does that match up with where they fall into your own set of layers? It's a strange thing to think about, but then again, if life's riches lie in relationships, isn't it important to figure out which ones are false gold and which ones are real?

01 September 2010

The Beat of New York

"Sometimes it really takes a visitor to capture the essence of home."

THE BEAT OF NEW YORK from tim hahne on Vimeo.

29 August 2010

Hustle and Flow

It's only been a brief two weeks since I've been back in the flow of, vibe of, feel of the work pace of life in NYC and it's a pretty stark contrast to the relatively lackadaisical days I've been having for the last three months. This isn't to say, of course, that the change hasn't been welcome, just that there is such a distinct difference between residing in New York and really living here.

Summer was filled with sun-lit afternoons pounding the pavement, lounging in parks, being drawn into the beat and pulse of living in a -- pardon the trite phrase -- urban jungle. Given the number of tourists who flock to the city, cameras and maps in tow, trying to haphazardly match their footsteps to those of the stiletto-heeled women around them, it's no wonder that the buzz of the city was particularly pronounced in the summertime. But more than that, the crowds that positively melted into place in parks, at cafes and on subways were somehow more vibrant than the standard monochromatic workweek fare.

The only responsibilities I had during the week were to myself; my appointments were my own. I operated on my own daily schedule, and any deadlines I set and met (or didn't) would be of my own volition. Study for the GREs, search for jobs, work on freelance assignments, develop my knowledge and skills by reading everything I could lay my hands (fingertips?) on and by writing constantly. There may never be a time again in my life where I have the luxury of only worrying about, well, myself.

Now the weather is cooling down, summer "lasts" are plentiful, and the reality of bracing for another go at the NYC work life is rearing its daunting head. But though I will miss summer and all the mental acumen it provided, I'm equally excited by the prospects of a new season and its consequent shift of energy.

Autumn is soothing because it marks the do-over, restart phase of the year, a grounding calmness with a running stream of conversation underneath. It's the perfect kind of weather for a little hustle, a little flow. So it begins again.

03 August 2010

Artistic streak

I've been thinking a lot lately about the written word as an art form -- and so it was only fitting that I came across this passage today while reading "Linchpin":

Art isn't only a painting. Art is anything that's creative, passionate, and personal. And great art resonates with the viewer, not only with the creator.

What makes someone an artist? I don't think it has anything to do with a paintbrush. There are painters who follow the numbers, or paint billboards, or work in a small village in China, painting reproductions. These folks, while swell people, aren't artists. On the other hand, Charlie Chaplin was an artist, beyond a doubt. So is Jonathan Ive, who designed the iPod. You can be an artist who works with oil paints of marble, sure. But there are artists who work with numbers, business models, and customer conversations. Art is about intent and communication, not substances.

An artist is someone who uses bravery, insight, creativity, and boldness to challenge the status quo. And an artist takes it personally.

...

Art is not related to craft, except to the extent that the craft helps deliver the change. Technical skill might be a helpful component in making art, but it's certainly not required. Art doesn't have to be decorative; it can be useful as long as the use causes change.

...

By definition, art is human. A machine can't create art, because the intent matters. It's much more likely to be art if you do it on purpose.

A cook is not an artist. A cook follows a recipe, and he's a good cook if he follows the recipe correctly. A chef is an artist. She's an artist when she invents a new way of cooking or a new type of dish that creates surprise or joy or pleasure for the person she created it for.